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References:

 

Alten, S. (2012) Recording and producing audio for media (1st edn). Boston: Michael Rosenberg

 

CM (2013) "Understanding Limiting". Computer Music Special 64, 22-24

Cousin, M. and Hepworth-Sawyer R. (2013) Practical Mastering (1st edn). Oxon: Focal Press

 

Hodgson, J. (2019) Understanding Records: A Field Guide to Recording Practice, (2nd end). New York: Blumsbury Publishing Inc 

 

Katz, B. (2002) Mastering Audio the art and science (1st edn). Oxon: Focal Press

 

Katz, B. (2015) Mastering Audio the art and science (3rd edn). Oxon: Focal Press

 

Kealy, R. (1979). From Craft to Art: The Case of Sound Mixers and Popular Music. In:S. Frith and A.Goodwin, ed., On Record: Rock, Pop and the Written Word, 1st ed. London: Routledge

 

Lissa,Z. (2007) Zarys nauki o muzyce (6th, ed). Warszawa:Agencja Wydawnicza Ad Ocoulos

 

Shuker,R. (2002) Popular Music: They Key Concepts. Routledge: London 

 

Songworkdotcom (2010) Songwork’s Toggling with Andrea Stople [online] Available from < https://www.youtube.com/watch?v=9QvTu_KFoIg&feature=youtu.be> [06 March 2020] 

 

TED (2004) Flow, the secret to happiness [online] Available <from https://www.ted.com/talks/mihaly_csikszentmihalyi_flow_the_secret_to_happiness/up-next> [27 March 2020] 

Toynbee, J. (2000) Making Popular Music: Musicians Creativity and Institutes. Oxford: University Press

 

 


 

 

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